Killing Joke – “Love Like Blood” [throwback]

•August 30, 2019 • Leave a Comment

Jewels in the Night Sea by Photographer Ryo Minemizu

•August 7, 2019 • Leave a Comment

I do not think I am allowed to post these images online, but I mean, I am a rebel 😎 and besides, the world must know of life’s unfathomable beauties!!

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Japanese marine life photographer Ryo Minemizu focuses his lens on some of the tiniest and most abundant life forms in our oceans. His series Phenomenons explores the diverse beauty and extravagant colors of plankton, and is shot amongst the dark waters of the Osezaki sea near Mount Fuji and other coasts around Japan, the Philippines and Maldives.

To capture the small creatures Minemizu sets his shutter speed to just a fraction of a second, while ensuring that his own movements don’t disturb the surrounding organisms.

“Plankton symbolize how precious life is by their tiny existence,” he explains. “I wanted other people to see them as they are in the sea, so it was my motivation from the beginning to shoot plankton underwater, which is quite a challenge. Most plankton are small, and their movements are hard to predict.”

Tornaria larva of acorn worms (Krohn stage) April 2016 Palau

Eudoxid of Enneagonum hyalinum. Eudoxid is sexual reproduction stage.

It’s a marine benthos, inhabiting sand or under stone. Adults are long and slender, grotesque. However, some larvae are beautiful like this picture, and they are floating.

March, 2012 Yakushima Kagoshima, Japan.

Amazing! I’m all about science fiction, but whenever there is a popular article about anything space related I scoff, because here on Earth is where the real mysteries of unknown life lie swim.

You can see more of Minemizu’s underwater photography on Instagram and Twitter, with prints from his Phenomenons series available in his online shop 🐟🐟🐟

Com Truise – “Ultrafiche of You” [music video]

•July 15, 2019 • Leave a Comment

Inspired by the evocative, haunting atmospheres of the track and the cinema of Andrei Tarkovsky, Ingmar Bergman and Krzysztof Kieślowski:

Directed by Gianluca Minucci / Talent Kseniia Dubovitz Dubovitskaia / Produced by Liana Rae Perez, Catherine Dewar / Prod. Company Mad Dogs Film / DoP Jeremy Kerr / Editor Ian Degrassi / Colorist Mariateresa Ventrella / Costume Designer Lenka Padysakova / Prod. Designer Mike Maggiano […]

I am glad the makers gave credit to their inspirations, as I can definitely see Andrei Tarkovsky’s influence. There is something rich and incomparable about the way in which Tarkovsky framed and captured environments, imbuing them with metaphysical properties that seem to defy time and reason.

Andrei Tarkovsky; so good.

St. Lucia — A Brighter Love [♬]

•August 2, 2018 • Leave a Comment

Totally digging the chorus!(^3^♪ ♫ ♩ ♬ I’m searching for the undiluted heart

Speak to me now
When I’m asleep and there’s nobody to depend on me
Hold out your hand
‘Cause I’ve been drifting and sometimes I need some sympathy

I tried to be what they want
I lost myself, I lost my feet, I lost my memories
Now in silence I wait
I need your touch, I need your face, I need you

‘Cause I’m searching for a night light in the dark
A brighter love, a brighter love
And I’m searching for the undiluted heart
A brighter love, a brighter love.

So now it’s all come to this
What was the purpose?
I assumed that everything would pass
I gave myself to the night
I walked alone, I fell asleep on empty streets
Now I see that
All this time my eyes were open


And all this time I didn’t close them
And the headlights play upon the ocean
I will stay this way
‘Cause I see you, I see you now

I’m searching for a night light in the dark
A brighter love, a brighter love
I’m searching for the undiluted heart
A brighter love, a brighter love
I’m hoping that somehow I’ll find my way
To a brighter love, a brighter love
Keep hoping ’til the night straight falls apart
A brighter love, a brighter love


So I’m searching for a night light in the dark
A brighter love, a brighter love
And I’m searching for the undiluted heart
A brighter love, a brighter love
I’m hoping that somehow I’ll find my way
To a brighter love, a brighter love
Keep hoping ’til the night straight falls apart
A brighter love, a brighter love.

Virtual Self — “Ghost Voices” [♬]

•March 11, 2018 • Leave a Comment

Com Truise — “Brokendate” & “Fairlight” [music video]

•February 20, 2018 • Leave a Comment

This sweet retro-futuristic tale directed by Will Joines, compliments BROKENDATE perfectly with its Blade Runner-esq eighties cop-nior ambience. It takes me back to a time that only exists in memory now, and I’m not concerned at all that that sentence shouldn’t have made any grammatical sense… BROKENDATE is rad.

Director: Will Joines / Producer: Sarah Romney / Cinematographer: Zoë White

How great a name is Com Truise — one of the many pseudonyms of New Jersey designer/musician Seth Haley. Love his melodious synth and the depth of atmosphere he’s able to create with minimal sounds. Here is another favourite — FAIRLIGHT:

Jessie Ware “Alone” [music video]

•October 18, 2017 • Leave a Comment

Pre-order Glasshouse now:

Crazy Town — “Butterfly” (1999) [throwback] [♬]

•October 5, 2017 • Leave a Comment

Ahhh the sweet, nostalgic sounds of unbridled horniness. Here’s a fun fact, that melodic guitar riff is a sampling of a Red Hot Chili Peppers track. So credit where credit is due, you know how it goes — “Pretty Little Ditty” from the Red Hot Chili Peppers‘ 1989 album Mother’s Milk. Which means that everyone holding an instrument in the video above is 100% a poser lol

The Smashing Pumpkins (1995) — “1979” [throwback] [♬]

•July 9, 2017 • Leave a Comment

Directed by the creative duo, Jonathan Dayton and Valerie Faris. Upon finishing the video shoot, the band flew to New York to perform. However, all tapes of the footage were accidentally left sitting on top of a car, and were lost as the driver departed. The group later flew back to re-shoot the entire video. Billy Corgan considers it the Pumpkins’ best video calling it “the closest we’ve ever come to realizing everything we wanted.” [Mellon Collie and the Infinite Sadness, April 1996]

Filter — “Take A Picture” (1999) [throwback] [♬]

•May 8, 2017 • Leave a Comment

Have a twofer:

Semisonic — “Closing Time” (1998) [throwback] [♬]

•April 7, 2017 • Leave a Comment

I think I’ll hit ya with a 90’s throwback 😀

Shy Luv — “Shock Horror” [music video]

•March 21, 2017 • Leave a Comment

This is a real catchy song. Love it! Directed by the French duo Bif, the video features Shy Luv falling in an endless skydive amidst gigantic women in swimsuits:

“CGI allowed us to create impossible camera shots, animate the duo and populate each scene the way we wanted,” says Bif. “We used the photogrammetry scanning system in order to recreate a perfect 3D model of each character.” “The animation was mostly created using simulation,” they add. “By applying physics and dynamics forces we manage to get very interesting results. The band inflated like balloons were alive, diving in the sky in a very organic way.”

NZCA Lines — “Two Hearts” [♬]

•December 5, 2015 • Leave a Comment

“Two Hearts” is a delightful slice of electro-popNZCA Lines, the London-based (previously solo) project of Michael Lovett, is joined by Charlotte Hatherley (Bat For Lashes, Ash) and Sarah Jones (Hot Chip) for their forthcoming album ‘Infinite Summer’.

From the album Infinite Summer. Out 22/1 on Memphis Industries. Preorder from

Lovett says that the album is influenced by his love of science fiction authors such as Arthur C. Clarke (2001: A Space Odyssey) and Philip K. Dick (Do Androids Dream of Electric Sheep), explaining the album’s concept in a press release: “The album is based around the idea of a far-future Earth, where the sun has expanded to the size of a red giant and our extinction is imminent. Half of the world is covered by a city [Cairo-Athens] that clings to the past and embraces its destruction, whilst the other half is trying to rebuild, create and make something new. Yet, it’s good on both sides because it’s warm everywhere and people just party most of the time.”

Pixelord — “Rescue Cyber Party” [music video]

•November 18, 2015 • Leave a Comment

♩ ♫ 7(^-^7) ♪ ┗(`o´)┓ ♪ (´〜^o^)〜 GRAB YOUR FRIENDS

Animation by Alexandre Louvenaz and / Music by Pixelord and / Production Wemotion / For more from King Deluxe visit

pixel party

pixel party res cyb

pixel party res cybe


Nosaj Thing — “Cold Stares” ft. Chance The Rapper & The O’My’s [music video]

•October 16, 2015 • Leave a Comment

Nosaj Thing — Cold Stares 3

Fantastic music video for track by Nosaj Thing and Chance The Rapper, put together by Rhizomatiks and features dancers from Elevenplay. The video uses drones, 3D capture and performative dance to create a sense of alternating between digital and real worlds:

Creative Director + Technical Director: Daito Manabe (Rhizomatiks Research) / Video Director: TAKCOM / Choreographer: MIKIKO (ELEVENPLAY) / Dancer: Kaorin (ELEVENPLAY) & Erissa (ELEVENPLAY) / Technical Director-Hardware Designer-Hardware Engineer: Motoi Ishibashi (Rhizomatiks Research) / Computer Vision Programmer: Yuya Hanai (Rhizomatiks Research) / Drone Engineer: Katsuhiko Harada (Rhizomatiks Research), Momoko Nishimoto (Rhizomatiks Research), Youichi Sakamoto (Rhizomatiks Research) / Video Producer: Takahiko Kajima (PICS) / Video Production Manager: Syuhei Harada (PICS) / CG Designer: Akira Miwa (McRay), Kohki Okuyama (McRay) / CG Producer: Akira Iio (McRAY) / Motion Capture System: Crescent, inc. / Costume Design: Yaepon.

While CG effects are nothing new, the use of little drone cameras to capture the movements of the two dancers teetering on the edge of reality and illusion gives everything a very unique feel. Learn about the making of here >rhizomatiks/coldstares/<

Nosaj Thing — Cold Stares 2 Nosaj Thing — Cold Stares 1 Nosaj Thing — Cold Stares

Directed by Tokyo-based media artist, Daito Manabe, who I remember a few years ago was doing interesting things with electronic pulses and facial muscles moving in sync to music:

Jack and Eliza — “Quarter Past The Hour” [♬]

•October 1, 2015 • Leave a Comment

Ah the reciprocal torment of wanting to be loved — This guy has got it bad:

Footage is from the 1959 French New Wave film “Les Cousins,” directed by Claude Chabrol. / Quarter Past The Hour by “Jack + Eliza” from the album “Gentle Warnings.” / Video edited by David Dean Burkhart.

ON AN ON — “It’s Not Over” [music video]

•September 8, 2015 • Leave a Comment

Starring Elizabeth Rian and Thomas Bailey / Directed, filmed and edited by Carlos Lopez Estrada “Shot on my iPhone 6.” / Produced by Alissa Torvinen w/ Matt Pittman for Alpen Pictures / Visual Effects: Tanner Merrill / Sound Design: Michael O’Connor / Art Director: Britt Keller / Camera Assistant: Matthew Tompkins / Wire work: Damien Bray and Keenen Bray / From the album: And The Wave Has Two Sides.

Shot entirely on an iPhone 6 no less, it really encapsulates the vibe of the song, with an added zing of humour for good measure. Not a bad tune to get stuck in your head too.

“This song makes the dance floor sound like a white-hot paradise for two, where every moment has that cuddle-in-bed safety and giggle lacework of absolute trust” ~ Caitlin White writer for Stereogum. — I’d say she liked it as well.

The Smiths – “How Soon Is Now?” [music video]

•July 26, 2015 • Leave a Comment

“How Soon Is Now?” was originally a B-side of the 1984 single “William, It Was Really Nothing”. “How Soon Is Now?” was featured on the compilation album Hatful of Hollow and on U.S., Canadian, Australian and Warner UK editions of the group’s second album Meat Is Murder released in 1985.

Miami Horror “Love Like Mine” feat. Cleopold [♬]

•April 16, 2015 • Leave a Comment

Album: All Possible Futures — Out April 21st, 2015

Coyote Kisses “Sunny Day” [♬]

•February 5, 2015 • Leave a Comment

“Somewhere along the line, seagulls turned into skittle-shooting automatic lasers.”

Walkie Talkie “4 Luv” [♬]

•December 3, 2014 • Leave a Comment

Andy Stott “Faith In Strangers” [♬]

•November 26, 2014 • Leave a Comment

Footage is from the short films “Grim” (1985) “Ghost” (1984) and “Thunder” (1982) by Takashi Ito.

Majid Jordan “Her” [♬]

•November 6, 2014 • Leave a Comment

Majid Jordan is a Canadian record producing and performing duo made up of Majid Al Maskati and Jordan Ullman. The two met in University of Toronto where they were both studying. They launched their EP Afterhours on SoundCloud under the pseudonym Good People. In 2013, Majid Jordan co-produced and was featured in Drake’s “Hold On, We’re Going Home”, that became a hit single in United States, Europe, Australia and New Zealand.

Jessie Ware “Tough Love” [music video]

•July 9, 2014 • Leave a Comment

Today Jessie Ware shared the video for her new single “Tough Love”, a clip that matches the song’s slow-burning aesthetic:

Director/Post: BRTHR / EP: Nico Chavez / Producer: Jonny Kight / DP: Jake Scott / Prod Company: FRIEND

Tough Love 8 Tough Love 7 Tough Love 6 Tough Love 5 Tough Love 4Tough Love Tough Love 3 Tough Love 2

Carousel “My New Friend” [♬]

•May 29, 2014 • Leave a Comment

Wanna be friends?

Vic Mensa feat. Eliza Doolittle “YNSP”

•November 9, 2013 • Leave a Comment

Chicago hip-hop artist Vic Mensa caught my attention with his progressive lyrics and vibrant low-fi music video, uploaded yesterday for all us unsuspecting music lovers. What I do suspect is that Vic Mensa is one up and comer to keep an eye on, he’s gonna take off. Turn down that throwback and get with the new shit:

The song features British singer Eliza Doolittle on the hook, another talented young artist who is best know in NZ for her single “Big When I Was Little.” She doesn’t feature in the video. Instead, director Nem Perez casts Mensa’s friends as glitches in a digital world where life isn’t all it seems. I like it — the visuals certainly match the vibe:

Goldroom “Fifteen” (feat. Chela) & BANKS “Change”

•September 24, 2013 • Leave a Comment

Floating through the slipstream, alright. Not gonna lie; this song has lullabied me to sleep several nights in a row now:

Banks too:

Sultry. No lullabies tonight though, I’m pulling an all-nighter for the essay that’s due tomorrow. You’d think a guy would learn a lesson. Sheesh, Fin. Where’s that coffee pot!

Chela “Romanticise” & “Plastic Gun” [music video]

•September 22, 2013 • Leave a Comment

Got me a new skateboard from Aldi, 17 buck! Bargain boyz

I think I’m in love. “Romanticise” is a synthtastic breakout single from lively new Australian act, Chela. She sings upbeat lyrics while pulling off some of the coolest choreographed dance moves I’ve ever seen in a music video in a long time, making me feel all at once jealous of her friends and her mad talent:

If “Romanticise” and GoldroomsFifteen is anything to go by then Chela is no-doubt one chic Aussie sparkler we can hope to expect a great many bright things from. You’ve got yourself an admirer 👍(ノ^_^)ノ♪ I’m loving Plastic Gun atm too; great sound:

The ‘Romanticise’ EP is available for download on iTunes and features remixes by Gold Fields, Collarbones, Boys Get Hurt, Le Bruce and Fascinator (the original is the best still):

MSMR “Hurricane” [music video]

•October 6, 2012 • Leave a Comment

The Chemical Brothers “Swoon” [music video]

•January 21, 2012 • Leave a Comment

Neon Indian “Polish Girl” directed by Tim Nackashi [music video]

•September 18, 2011 • Leave a Comment

During my daily commute to work, I found myself digging a track heard over the radio. It had some really great synth and a few 8-bit coin tosses. I had to endure some folk-pop tune before the radio announcer told me who the song was by — Neon Indian.

My mate Dom dropped that name a few nights ago so I immediately clicked on that ‘this is good.” I found the song I heard that faithful night and guess what? It has a sweet music video — It’s just, so damn cool:

The music video for Neon Indian’s classic cyber-track “Polish Girl,” off Neon Indian’s new album Era Extraña, incorporates light painting to tell the story of a disjointed personal journey.

Loving Tim Nackashi’s visual style.

Drive by Ahree Lee

•September 21, 2009 • Leave a Comment

I love this video but can’t put my finger on why — A would-be drudgery drive made beautiful:

An experimental take on driving turns multiple trips on the same road into a transcendant experience. Music by Supreme Fiction

I’ve waited two years to see the full version finally online again. Thanks Ahree Lee.

[ME by Ahree Lee][]

No More Blog…Space!! [F]

•August 11, 2019 • Leave a Comment

I have run out of storage space to upload images! 3GB worth of uploads from 2008~2019 (RIP) I think is a pretty good damn fine run.

So, is now a good time for me to move on from this blog?

For an extra annual fee of $8.00, I can bump the maximum upload space to 13GB, and continue the longevity of this digital footprint of randomness, my sanctuary of procrastination, this politics and pornography free collection zone of whatever.

However, could my time be better served not in front of a screen? I am hesitant to make a decision. Not sure why that is. Something inside just needs to be communicated. Generosity, I feel, and a desire to be in touch with words and ideas as often as possible.

Was/is Dark in the Boy my bubble of creative gestation, or a crutch, stifling my creative thoughts and inner truth? …Does it sound/read crazy if I think I’m called upon to create something great? Will a random blog get in the way of that belief in myself? And is all of this simply TMI??? 🤔

*sigh* little hiccups in life. I’m a big picture kinda guy but these little bumps and scratches along the way shut my brain down, for real. Like, what if I have the makings for a bombass sandwich but have run out of butter?! That’s a transitional moment of panic for me OK!

…I’m thinking I should just pay the measly $8 and shut the front door huh.

Mike Tyson as Every Character in FAMILY MATTERS

•August 2, 2019 • Leave a Comment

What if celebrity X were absurdly cast in role Y? Deepfakes have it covered (is that a pun?) — Mike Tyson deepfaked in Family Matters:

The animated wonkiness and unease of uncanny valley, alleviates deepfakery into humourous territory, but make no mistake, deception is a powerful tool, both for entertainment purposes and lesser known agendas.

This footage of presidential contender Tulsi Gabbard appears to show a small blemish on her chin (a pimple or bug bite, perhaps) that suddenly disappears as she’s talking:

And, sharp vampire fangs!

Conspiracy theorists suggest MSNBC (producers of the footage) added the pimple to make her look bad, as the Congresswoman from Hawaii was talking foreign policy during the debate — specifically the possibility of America going to war with Iran. Important stuff, no doubt. The times are not amenable to even the most innocuous digital manipulation.

Bonobo — “No Reason” [music video]

•July 30, 2019 • Leave a Comment

Reminiscent of the best in-camera visual trickery of Michel Gondry, director Oscar Hudson’s music video for Bonobo and Nick Murphy’s chillwave track was created using forced perspectives with a small camera in a big set:

Director Oscar Hudson / Production Company Pulse Films / Executive Producer Sarah Boardman / Art Director Luke Moran-Morris / D.P. Ruben Woodin-Dechamps / Producers Matt Posner, Rik Green / Set Decorators Sakara Dawson-Marsh, Lottie McDowell / Video Commissioner John Moule / Model Maker Robin Crowley / Special Thanks Angus Hudson […]

Oscar Hudson also directed Radiohead music video “Lift” in 2017, and it’s a pleasant trip:

🌩 Lightning at 1,000 Frames per Second

•July 29, 2019 • 2 Comments

The editing and overdramatic production music makes this look like a made for television commercial, but the captured lightning strikes are worth seeing scrawl to the earth:

Photographer Dustin Farrell spent over a month traveling some 20,000 miles for the sole purpose of filming thunderstorms around the United States. Using a pricey Phantom Flex4K high-speed camera he filmed lightning strikes at 1,000 frames per second, resulting in impressive footage that shows the remarkable complexity of electricity in the atmosphere.

Now this next compilation video, in my opinion, is a thousand-point-twenty-one jigawatts times more exciting: ⚡

Light Zoetrope by Designer/Artist Akinori Goto

•July 27, 2019 • Leave a Comment

Artist Akinori Goto came up with a truly wonderful take on the zoetrope — He uses 3D printing to turn 2D frames into a donut-shaped object. It looks like an abstract sculpture, but it reveals its animation when hit with a narrow beam of light:

View this post on Instagram

思想は丸い。 #mediaambitiontokyo

A post shared by Akinori Goto (@akinori_goto_) on

Deepfaking Keanu Reeves (by Corridor Crew) + GIF Player Device Does One Thing — It Plays Keanu Gifs

•July 25, 2019 • Leave a Comment

But first; Keanu did something nice — ‘YOU’RE BREATHTAKING!’ Keanu Reeves surprised fan by signing yard sign:

Travelling to the set of his new Bill & Ted sequel, Face The Music, in Louisiana earlier this week, Keanu Reeves spotted a yard sign a local family had put on their lawn which honoured the actor with the words “You’re breathtaking.” The message is a reference to a viral moment from June, in which Reeves said the words to the crowd at the E3 video game conference — echoing a fan’s reaction to him.

Bill & Ted writer Ed Solomon wrote on Twitter that the 54-year-old had jumped out of their car after seeing the sign, and penned a sweet message to those responsible.

And something else Keanu related from one of my fave YouTube channels; deepfake Keanu stops a robbery with the power of kindness:

Bonus episode from the Corridor crew reacting to bad & great CGI (a great series):

“[…] if you’ve distracted the audience, you pull them out of this emotional suspension of disbelief, and you’ve reminded them that you are watching something that is fake.” ~ Niko Pueringer, VFX artist

And finally, because why not…

“I made this Keanu GIF player using an Adafruit PyGamer and SD card. It autoplays each GIF for 10 seconds before moving on to the next one. You can also use the L/R thumbstick controls to advance or go back. Add more Keanu GIFs by copying them to the SD card.” ~ John Park

STAR TREK: PICARD [first look]

•July 22, 2019 • Leave a Comment

It has been a long time since I have been excited for anything STAR TREK related. The new series is set for a 2020 release, and looks to be an amazing continuation of the franchise, with Sir Patrick Stewart reprising his role as Captain Jean-Luc Picard. Brent Spiner’s Data is back, presumably, as well as Jeri Ryan’s Seven of Nine.

Quite pleased.

Last thing ST I truly enjoyed was not the new films, or the new TV series Discovery, but a four-issue comic miniseries published in 2012 — Star Trek the Next Generation: Hive. I am definitely picking up some similarities in story elements:

In the distant future the entire galaxy has been completely assimilated by Borg and it’s king _ Locutus! The only hope for the future lies in the past, in the hands of Captain Jean-Luc Picard and the crew of the Starship Enterprise as Picard faces off against the Borg collective in one final, terrifying, and definitive encounter!

Before that, IDK, maybe it was playing multiplayer Star Trek: Voyager — Elite Force

And how can I forget this sweet entry starring the lovely Alice Krige:

R.I.P. Rutger Oelsen Hauer 1944 ~ 2019

•July 20, 2019 • Leave a Comment

The real Blade Runner.

New Zealand International Film Festival (2019)

•July 19, 2019 • Leave a Comment

It is that time of year again when the NZ International Film Festival rolls into town, and I have decisions to make!!

Poster artwork: illustration by Ken Samonte, design by Ocean Design.

My sister Matisse and I caught the NZIFF opening night screening of La Belle Époque and it was hilarious and heartfelt. Prior to its screening, New Zealand Film Festival Trust (NZFFT) member Dr Andrew Langridge took to the podium and welcomed everyone to the event, in a long speech about the film festival’s success, the 40 year tenure of festival curator/director Bill Gosden, as well thanking ALL the sponsors (it was a very long speech).

Here are a few entries in the 51st programme (18 July to 4 August 2019) that I am interested to see:

Long Day’s Journey into Night (2018) Di qiu zui hou de ye wan / Directed by Bi Gan

Part film noir, part dreamscape, this oneiric love mystery – acclaimed for its hour-long 3D sequence shot in a mesmerising unbroken take – intoxicatingly captures romantic obsession in southern China.

La Belle Époque (2019) Directed by Nicolas Bedos

A 21st century riff on second chances at first love, La Belle Époque takes a giant conceit – an agency can grant you the chance to play the lead role in any point in history, with full cast and costume on an authentic set – and focuses on a sad, aging cartoonist (Daniel Auteuil, in a late career peak) who’s feuding with his VR-obsessed wife (Fanny Ardant, equally terrific). Instead of drinking with Hemingway or fighting Nazis, he chooses to return to the happiest day of his life: 40 years prior, when a beautiful woman walked into a cafe…

High Life (2018) Directed by Claire Denis

A forbidding spaceship carrying death row inmates hurtles towards oblivion in Claire Denis’s long-awaited, intensely hypnotic sci-fi opus.

Children of the Sea (2019) Kaijou no kodomo / Directed by Watanabe Ayumu

With an enchanting attention to oceanic detail and the mysteries of the deep blue sea, this blissfully moody anime follows the journey of a teenage girl spirited away on a fantastic aquatic adventure.

The Lodger: A Story of the London Fog (1927) Directed by Alfred Hitchcock Live Cinema

Celebrate Alfred Hitchcock’s 120th birthday with “the first true Hitchcock movie,” an atmospheric thriller set in the London fog. Accompanied by the Auckland Philharmonia Orchestra performing Neil Brand’s brilliant new score, conducted by Peter Scholes.

Stuffed (2019) Directed by Erin Derham

A fully rounded, elegantly observed documentary on the world of taxidermy, its dedicated practitioners and their empathy for the animals whose lives and beauty they lovingly preserve.

Escher: Journey into Infinity (2018) Escher: Het oneindige zoeken / Directed by Robin Lutz

This vivid portrait explores M.C. Escher’s life and imaginative world through his own words and visions. Narrated by Stephen Fry.

The Art of Self-Defense (2019) Directed by Riley Stearns

After a brutal mugging, a man takes up karate to better defend himself but soon falls under the spell of the dojo’s enigmatic leader.

We Are Little Zombies (2019) Directed by Nagahisa Makoto

Four teenage orphans form a kick-ass band to express their emotions and end up taking the world by storm in this visually dazzling triumph from first time director Nagahisa Makoto.

Apocalypse Now: Final Cut (2019) Directed by Francis Ford Coppola

Welcome back to the jungle with Brando, Duvall, Fishburne and Hopper for Francis Ford Coppola’s final – and finest – version of the ultimate Vietnam War epic.

Ruben Brandt, Collector (2018) Ruben Brandt, a gyűjtő / Directed by Milorad Krstić

Boasting batshit surreal imagery, fist-pumping action sequences and a wall-to-wall shrine of art and cinema references, Ruben Brandt, Collector is a new milestone for animated invention.

The Wild Goose Lake (2019) Nan fang che zhan de ju hui / Directed by Diao Yinan

Gangland subterfuge tumbles into a dazzling nocturnal manhunt in Chinese director Diao Yinan’s film noir par excellence – a modern genre classic in the making.

Regarding the 2019 poster artwork; the posters (in the poster?) featured on the wall are from past NZIFFs. The one with the elephant is from 1994, a programme which I happened to have held onto like a proud hoarder/stolen from my dad’s belongings when I was little. Incredibly different time for cinema compared to today’s offerings.

Photographs of Films: Movies Condensed Into a Single Frame — “its visual DNA” by Jason Shulman

•July 17, 2019 • Leave a Comment

Jason Shulman photographs the entire duration of a movie with ultra-long exposures, creating a single image, these impressionistic blurs with faint distinguishing features:

“You could take all these frames and shuffle them like a deck of cards,
and no matter the shuffle, you would end up with the same image I have arrived at.”

Dumbo (1941)

The Texas Chainsaw Massacre (1974)

In an interview with Another Magazine, Shulman elaborated; “I set up my camera […] pointed it at a movie, expecting that, if you expose the negative for an hour and a half with a film in front of it, you’d get a bit like what you get when you mix balls of Play-Doh together— just a brown monotone hue. So I was very surprised when in fact these kinds of rather interesting translations of films started occurring.”

“You can learn something about the director’s style from this kind of kooky translation: you can learn that Hitchcock deals with people, for example, Kubrick deals with composition, Bergman deals with … I mean lots of Bergman films are kind of moody and psychological, much more so than other films.”

“So it’s odd that in one exposure all of these things, although very subjective, kind of come through.”

“There are roughly 130,000 frames in a 90-minute film and every frame of each film is recorded in these photographs,” Shulman says.

Some films didn’t work so well, however. “I shot Avatar, for example – I shot all James Cameron’s films – and what I got most is literally just a kind of Pantone swatch at the end, a kind of plain, flat blue, because he cuts very quickly, the camera’s always moving. So it all depends on the director’s style.”

Shulman’s other work extends beyond photography, encompassing installation, sculpture and video.

Under The Skin (2013)

2001: A Space Odyssey (1968)

The Silence of the Lambs (1991)

Eyes Wide Shut (1999)

Alien (1979)

Stalker (1979)

“Each of these photographs is the genetic code of a film — its visual DNA”